• We are hiring.

    Blog

    Posted on April 21st, 2010 by Jeff Storan

    As seasoned entrepreneurs and start-up venture veterans, we recognize that one of the keys to our success is recruiting talented, enthusiastic people to contribute to the building of an excellent business.

    In a small and growing company with ambitions like Simulmedia, everyone we hire will impact the trajectory of our business and have the opportunity to bring positive change to the television media ecosystem.

    Today, we’re seeking applicants for several important positions.

    Director, Attention Operations – As the Director, Attention Operations, you would be working on every aspect of Simulmedia’s media and client service areas.  We are looking for someone to recruit, train and lead a team of media and client service professionals. You may come from an agency background or perhaps pricing and planning at a media company.  You should have a strong background in media functions. You should be comfortable with all phases of Spot TV Advertising, from research, to planning and buying, to trafficking systems, through to reporting, reconciliation, and billing.

    Director, Product Marketing – The Simulmedia a7 Platform™ enables us to transform massive volumes of set-top box and other data into predictive insight to the effectiveness of television program promotion.  As Director, Product Marketing, you would be responsible for the launch of products that put the value of our insight into the hands of our television network customers and system operator partners.  You should be an expert on the interests and motivations of television network marketers and programmers and how they make decisions.

    Attention Analyst – Simulmedia brings data-driven decision making to the art of television program promotion.  As an Attention Analyst, you would be responsible for the research required by product management, data strategy, operations, and our clients.  Media or TV experience not necessary; you may have come from Wall Street, web analytics, or even straight out of college. The experience we value is your having handled multiple projects at once and making sure deadlines are met.

    We’re also seeking a Software Developer Intern for this summer.   Over the course of the internship, you would support our Attention Operations and Attention Science teams, querying set-top-box data to advance analysis and model development.

    If you’re interested in any of these positions, have a look at the complete job description on our Careers page and send your resume with a cover letter and salary history to careers@simulmedia.com.

    Simulmedia is an Equal Opportunity Employer.  We offer competitive salary, benefits, vacation, stock options and a stake in our company’s success.

  • Spot TuneAway Part 2—What is the Best Spot in a Pod?

    Blog

    Posted on April 20th, 2010 by Stewart Hauser

    Most marketers think that the first spot in a commercial pod is best—but what level of effort should be made to get that spot?  Is the last spot in a pod equally valuable, since marketers can reach viewers who skip the ads but return just before the program resumes?

    The last blog entry introduced the spot TuneAway metric and showed how it varies by month, along with some prior research on the topic.  Now, we can use the metric and other variables to answer the question of optimal spot position within a pod.  Marketers seek to maximize the return on investment of their promotional campaigns, and since viewership varies by spot position, the specific placement of an ad within a pod can have a meaningful impact on ROI.

    A “pod” is essentially a commercial break, a break in the middle of the scheduled programming.  Pods contain “spots,” or advertisements, which can vary in length but tend to be 30 seconds long.  Pods vary in the number of spots that they contain.  A commercial break during a 20-second timeout of a close basketball game will probably contain only one spot, whereas a pod between two movies on a movie channel could have 10 or more spots.  As a point of reference, we can look at the distribution of pod lengths in the original dataset, which looks at major broadcast channels for the last four months of 2009:

    In this dataset, the average pod had 7.5 spots, while 85% of pods had between 4 and 11 spots.  Spot length is not considered in this graph; an interesting point for future study is whether average spot length changes depending on the number of spots in a pod.

    Next we can investigate the best position in a pod.  Conventional wisdom says that the first position is the best, since viewers will tend to watch at least some of it before changing the channel.  Does the data tell the same story?  Here is the graph for TuneAway by pod position, using the same dataset as before:

    The first spot in a pod has by far the highest TuneAway.  Conceptually, this finding makes sense.  Active viewers who are most likely to change the channel will do so during the first spot in a pod, which raises the TuneAway value for the first spot.  These active viewers are no longer on the channel for subsequent spots in the pod, so those spots have lower TuneAway values.

    Does the high first-spot TuneAway value mean that the conventional wisdom is wrong?  Are later spots actually more valuable than the first one?  TuneAway is an interesting metric, but what marketers really care about is how many people actually watched the advertisement, or how much of the advertisement was actually watched.  In fact, what we find is that regardless of pod size, the first spot tends to have the highest TuneAway but also the highest viewership, as demonstrated here, with pod size held constant at eight:

    The first spot gets watched more than any other spot, even though it also has the highest TuneAway.  This conclusion may seem counterintuitive, but it makes sense when we remember that the TuneAway metric does not have a concept of volume.  In other words, there tend to be more people watching the first spot in a pod than later spots in the pod, so even though the first spot has the highest TuneAway, it can still have the highest viewership, as the graphs show.  Assuming constant cost across spots, marketers seeking to maximize ROI should try to place their ads first within their respective pods.

    An upcoming entry will look at TuneAway from other angles, including how the metric varies by day and time.

    Data from Kantar Media’s DirecTView product.

  • Introduction to the Spot TuneAway Metric

    Blog

    Posted on March 24th, 2010 by Stewart Hauser

    Viewers have numerous ways to avoid watching ads.  Some methods—changing the channel, fast-forwarding, or lowering the volume—are enabled by technology, while others—chatting, phone calls, kitchen or bathroom breaks—have been with us since the birth of television.  These actions are all bad news for marketers, whose campaigns depend largely on reach.  Not paying attention to ads, or bypassing them altogether, lowers reach which thereby diminishes the effectiveness of a campaign.

    Not all methods of bypassing ads can be easily measured.  We wouldn’t be able to tell when someone is sending a text message rather than watching a commercial without using extremely invasive measurement techniques.  Thanks to set-top box (STB) data, however, we can easily measure channel-changing during commercials, behavior that hurts both campaigns and the carrier channels, since there is no guarantee that viewers will return once the commercial break ends.

    Kantar Media’s InfoSys data product contains a “TuneAway” metric that measures loss of audience during advertisements.  Specifically, TuneAway is the percentage of seconds not watched of an advertisement, compared to the number of seconds that could have been watched based on viewership one second before the ad aired.  For example, if exactly one STB is watching a network, and that STB stays tuned in for the full duration of a given commercial, TuneAway for that commercial would be 0%.  If a network airs a 30-second commercial and the STB tunes away after 27 seconds, TuneAway would be 10%.

    The TuneAway metric has no concept of quantity or total viewership, so we cannot look at raw TuneAway numbers and make conclusions about the number of people who remained to watch the ad.  Nevertheless, TuneAway is a useful metric for comparing one advertisement to another, or for aggregating to look at larger trends.

    Various interesting studies have looked at audience retention during advertisements to try to understand viewing habits and ultimately improve advertising yield.  One study looked at viewing behavior during targeted advertisements versus non-targeted advertisements, and found that viewers were 32% less likely to change the channel during targeted ads than during other ads.  Both channels and marketers benefit from this finding.  Google TV has also done some relevant work in this area, including an analysis that looks at historical reactions to advertisements and tries to use that information to predict future audience behavior.

    TuneAway data can clearly be examined in a number of different ways.  For now, we can start by looking at TuneAway by month.  The graph below is based on a dataset containing all television advertisements (both promos and commercials) on five leading broadcast channels from September through December 2009:

    On average, TuneAway tends to be a little under 2%.  Of the last four months, October had the highest TuneAway at 1.95%, while December had the lowest with 1.75%.  Individual advertisements can have TuneAway rates of 10% or higher, but on average the values tend to hover around 2%.

    Lower TuneAway in December could be attributed to a number of factors.  Perhaps viewers had holiday shopping on their minds and decided to pay more attention to commercials.  Advertisements also might have been more interesting or better targeted in December compared to other months.  The subject requires further analysis.

    Forthcoming blog entries will analyze TuneAway from a number of other angles.  One interesting problem to address is TuneAway by spot position in pod, and whether high TuneAway numbers are always undesirable.

    Data from Kantar Media’s InfoSys product using DIRECTV data.

  • Measuring the Return on Investment of a Promotional Campaign

    Blog

    Posted on January 29th, 2010 by Stewart Hauser

    Like most television advertisers, marketers promoting television programming are haunted by what we’ll call the Wanamakerian spectre.  The spectre whispers in the ears of network marketers:  you know half your spending on advertising is wasted and you don’t know which half.  The superior measurement afforded by set-top box data gives network marketers the tools to determine which part of their promotional spending is working and banish the spectre.

    Programs with high ratings can command high advertising fees, since large numbers of people will be available to watch advertisements during the show.  The ultimate value of a marginal viewer to a program depends on the number of ads that the new viewer will watch while tuned in to the program.  In other words, new viewers mean more people to watch ads, which raises the price that advertisers can charge for future spots.

    In this context, we can analyze promotional campaigns based on the number of ad impressions and the seconds of ads watched per promo spot.  This “return on investment” or ROI of a promotional campaign can be useful in determining which campaigns are the most effective and efficient, and how to better structure campaigns in the future.  Set-top box data proves to be an essential component of these evaluations.

    To investigate these ideas, we selected four new broadcast programs on several different broadcast channels.  The series all premiered in September 2009 and had promotional campaigns that began in late May or early June 2009.  We can start by examining the number of promotions in each of these campaigns, starting from the beginning of the campaign and ending with the night of the series premiere:

    Non-paid promos are promos run on-channel or on sister channels, while paid promos are run on competing channels.  Each of these campaigns was significant in size, featuring over 1,500 non-paid promos in all cases.  The campaign for program #1 used almost no paid promos, while the other campaigns each used around 500 or 600.  Since these are new programs, we can assume that the promotions are mostly responsible for driving viewers to the series premiere, rather than, say, loyalty to or awareness of the program from a previous season.

    The next step is quantifying the return on investment generated by each of these campaigns.  Clearly, the number of ad impressions matters a lot—marketers want viewers to be exposed to as many ads as possible.  There are other variables to consider, though, such as total seconds of advertisements watched. 

    In terms of time frames, there are various ways that the data could be sliced.  Do we only give a pre-premiere promotional campaign credit for ads viewed during the series premiere of the program?  Can we take some amount of credit for ads viewed later that night on the same network, or on future episodes of the program?  Finally, do we take credit for everyone who tunes into the series premiere, or only people who tuned in after first seeing a promotion? 

    There are many ways to consider the data, but for now we can start with two metrics: Total ad impressions per promo spot, and total seconds of advertisements viewed per promo spot.  We’ll look only at the premiere night, but take credit for ads viewed both during and after our programs on the relevant networks.

    We will examine only people who saw at least one promotion and then tuned into the series premiere; it doesn’t make sense to take credit for viewers who made it to the premiere without having seen a promo.

    The following two graphs show the initial ROI results for the four programs:

    Ad time viewed is divided between promotions and commercials, since marketers will likely be interested not only in the number of advertisements watched or the time spent watching advertisements, but also in the relative split between ads for, say, restaurants and basketball shoes compared to promotions for future programs.  The graphs include ad time for people who saw at least one promotion before the series premiere and then tuned into at least six minutes of the premiere.

    The first graph demonstrates that the promo campaign for Program #1 was the most efficient, in the sense that it yielded the highest number of ad impressions per promo spot.  The majority of these ad impressions were commercials as opposed to promos.  The second graph looks at seconds of commercials viewed, rather than impressions.  Not surprisingly, there seems to be a very strong correlation between impressions per promo spot and total seconds per promo spot.  If we did happen to find a campaign that yielded relatively high impressions but relatively low total seconds viewed, there would be two possible explanations: Viewers of that program were much more likely than other viewers to tune away from advertisements, or the ads aired during that program just tended to be shorter in duration than the ads on the other programs.

    Overall, the promo campaign for Program #1 seems to have been the most efficient, while the campaign for Program #3 was the least efficient.  The campaign for Program #3 had far more promos than any of the other campaigns, which led to the low efficiency.  There is certainly a difference between efficiency and effectiveness, but the two items do tend to be related.

    ROI is a good way to measure the effectiveness of a promotional campaign.  There are many different decisions that need to be made in such a calculation, but the bottom line is that set-top box data can be used to compare different promotional campaigns and in doing so, determine the best ways to promote a program.

    Data based on KantarMedia’s InfoSys data product using DIRECTV data.

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