• Measuring the Return on Investment of a Promotional Campaign

    Blog

    Posted on January 29th, 2010 by Stewart Hauser

    Like most television advertisers, marketers promoting television programming are haunted by what we’ll call the Wanamakerian spectre.  The spectre whispers in the ears of network marketers:  you know half your spending on advertising is wasted and you don’t know which half.  The superior measurement afforded by set-top box data gives network marketers the tools to determine which part of their promotional spending is working and banish the spectre.

    Programs with high ratings can command high advertising fees, since large numbers of people will be available to watch advertisements during the show.  The ultimate value of a marginal viewer to a program depends on the number of ads that the new viewer will watch while tuned in to the program.  In other words, new viewers mean more people to watch ads, which raises the price that advertisers can charge for future spots.

    In this context, we can analyze promotional campaigns based on the number of ad impressions and the seconds of ads watched per promo spot.  This “return on investment” or ROI of a promotional campaign can be useful in determining which campaigns are the most effective and efficient, and how to better structure campaigns in the future.  Set-top box data proves to be an essential component of these evaluations.

    To investigate these ideas, we selected four new broadcast programs on several different broadcast channels.  The series all premiered in September 2009 and had promotional campaigns that began in late May or early June 2009.  We can start by examining the number of promotions in each of these campaigns, starting from the beginning of the campaign and ending with the night of the series premiere:

    Non-paid promos are promos run on-channel or on sister channels, while paid promos are run on competing channels.  Each of these campaigns was significant in size, featuring over 1,500 non-paid promos in all cases.  The campaign for program #1 used almost no paid promos, while the other campaigns each used around 500 or 600.  Since these are new programs, we can assume that the promotions are mostly responsible for driving viewers to the series premiere, rather than, say, loyalty to or awareness of the program from a previous season.

    The next step is quantifying the return on investment generated by each of these campaigns.  Clearly, the number of ad impressions matters a lot—marketers want viewers to be exposed to as many ads as possible.  There are other variables to consider, though, such as total seconds of advertisements watched. 

    In terms of time frames, there are various ways that the data could be sliced.  Do we only give a pre-premiere promotional campaign credit for ads viewed during the series premiere of the program?  Can we take some amount of credit for ads viewed later that night on the same network, or on future episodes of the program?  Finally, do we take credit for everyone who tunes into the series premiere, or only people who tuned in after first seeing a promotion? 

    There are many ways to consider the data, but for now we can start with two metrics: Total ad impressions per promo spot, and total seconds of advertisements viewed per promo spot.  We’ll look only at the premiere night, but take credit for ads viewed both during and after our programs on the relevant networks.

    We will examine only people who saw at least one promotion and then tuned into the series premiere; it doesn’t make sense to take credit for viewers who made it to the premiere without having seen a promo.

    The following two graphs show the initial ROI results for the four programs:

    Ad time viewed is divided between promotions and commercials, since marketers will likely be interested not only in the number of advertisements watched or the time spent watching advertisements, but also in the relative split between ads for, say, restaurants and basketball shoes compared to promotions for future programs.  The graphs include ad time for people who saw at least one promotion before the series premiere and then tuned into at least six minutes of the premiere.

    The first graph demonstrates that the promo campaign for Program #1 was the most efficient, in the sense that it yielded the highest number of ad impressions per promo spot.  The majority of these ad impressions were commercials as opposed to promos.  The second graph looks at seconds of commercials viewed, rather than impressions.  Not surprisingly, there seems to be a very strong correlation between impressions per promo spot and total seconds per promo spot.  If we did happen to find a campaign that yielded relatively high impressions but relatively low total seconds viewed, there would be two possible explanations: Viewers of that program were much more likely than other viewers to tune away from advertisements, or the ads aired during that program just tended to be shorter in duration than the ads on the other programs.

    Overall, the promo campaign for Program #1 seems to have been the most efficient, while the campaign for Program #3 was the least efficient.  The campaign for Program #3 had far more promos than any of the other campaigns, which led to the low efficiency.  There is certainly a difference between efficiency and effectiveness, but the two items do tend to be related.

    ROI is a good way to measure the effectiveness of a promotional campaign.  There are many different decisions that need to be made in such a calculation, but the bottom line is that set-top box data can be used to compare different promotional campaigns and in doing so, determine the best ways to promote a program.

    Data based on KantarMedia’s InfoSys data product using DIRECTV data.

  • Series Premiere Attentiveness and Program Loyalty

    Blog

    Posted on December 22nd, 2009 by Stewart Hauser

    Close analysis of how people watch a program’s series premiere reveals that viewers’ likelihood of returning to future episodes follows from their attentiveness to the first.  As television networks seek additional commercial vehicles to engage viewers and advertisers – think of the sponsorship model favored by PBS and championed by Rainbow Media – the link between attentiveness and loyalty increases in importance.

    Attentiveness and loyalty to a program are positively correlated, as explained in an early blog post.  Viewers who enjoy a show will watch a large number of minutes in a given episode and then return for future episodes, while viewers who do not enjoy the show will exhibit low attentiveness when they are watching it and will likely not return for additional episodes.

    One interesting consequence of the relationship between attentiveness and loyalty is that the future viewing behavior of an important segment of a show’s viewers can be predicted by simply analyzing data from a single episode, such as the series premiere.  Viewers of the series premiere will return for a predictable number of future episodes based on their attentiveness to the premiere.  This information could be used by advertising sales teams looking to sell sponsorships based on expected future ratings.

    To further investigate these ideas, we selected several new programs on broadcast networks and divided viewers of the series premieres into groups based on the number of minutes of the premiere that they watched.  For each of these series premiere attentiveness groups, we looked at the number of additional episodes watched during the season.  The results support the original hypothesis of a positive correlation between attentiveness and program loyalty.  The results were fairly constant across programs, and are shown for one program in the graph below:

    PremiereBlogPic1

    Viewers who watch only a small portion of the series premiere are far more likely than other series premiere viewers to tune in to zero additional episodes during the season.  Viewers who watch a large percentage of the series premiere, on the other hand, are much more likely than other series premiere viewers to return for a large number of additional episodes.  The graphs below combine data from the several programs to summarize these observations:

    PremiereBlogPic4

    One key variable to consider is the relative distribution of low, medium, and high attentiveness viewers within a series premiere or other episode.  In the programs analyzed, viewers qualified for the highest attentiveness category if they watched 42-60 minutes of the hour-long premiere.  On average around 55% of series premiere viewers were placed in this category.  If a certain series premiere yields a high attentiveness group that is significantly larger or smaller than the 55% baseline that we have found, marketers and advertising sales teams might choose to act accordingly.  A very large high attentiveness group, for example, would suggest that viewers will be unusually loyal to the program, which might mean that fewer promotions need to be run.

    What is still unclear is whether marketing should be targeted toward high-attentiveness viewers or low-attentiveness viewers.  Are the high-attentiveness viewers going to tune in to future episodes regardless of promotion?  If so, perhaps the low-attentiveness viewers would be a better target.  Further study would help clarify these questions.

    Data based on a nationally-projectable DIRECTV dataset from TNS Media Research’s InfoSys data product.

  • Lessons Learned from Promo Positioning

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    Posted on November 4th, 2009 by Yuliya Torosjan

    The potential of any promotional message to deliver viewers to a program is governed by myriad factors.  The composition of the audience seeing the promo, the number of times the audience has seen it before, and the distance in time from the promotion to the program all combine to determine the effectiveness of a single promotional spot.

    Our recent work focuses on more of these factors influencing promotional effectiveness.  As has been previously discussed, we find a strong lead-in effect. We also confirm that promos placed in the first commercial break (pod), as well as those in the last pod tend to be most effective.

    The Serial Position Effect first documented by a German psychologist Hermann Ebbinghaus may help explain why, all other factors being equal, promo position within a carrier program has an important effect on subsequent response rates.

    Ebbinghaus found that people are better at recalling items from the beginning (“primacy effect”) and end (“recency effect”) of a list rather than the middle. Primacy effect is attributed to the fact that the short-term memory is less crowded by additional items and more attention may be dedicated to processing the first item and storing it in the long term memory.  Recency effect is explained by the easy retrieval of the last item still from a short-term memory.

    In our study we compared tune in rates in response to promotions placed at different points within the same carrier program. In the chart below we present tune in rates to the September 23, 2009 premiere of ABC’s Modern Family as a function of promotional exposure in different spots within The King of Queens on TBS earlier the same day.

    Modern-Family

    As we can see, the spots at 4:07pm and 4:55pm outperformed other spots within The King of Queens. The King of Queens at 4:07pm spot is placed in the first pod of the program. The higher response rate for the viewers exposed to the promo within this spot may be explained by the primacy effect. The 4:55pm spot is placed in the last pod of the program and leads in to Friends episode at 5pm. Thirty-six percent of the 4:55pm spot viewers tuned in to Friends at 5pm. Interestingly, only one-third of the audience exposed to the promotion at 4:07pm overlaps with the audience that saw the promo at 4:55pm. Most of the audience at 4:55pm is a fresh pool of viewers who are exposed to the Modern Family promo for the first time within their The King of Queens viewing session. Therefore, the primacy effect again may be used to explain the higher subsequent tune in to the promoted program.

    In another example below, we compared tune in rates to the first episode of Glee on FOX after promo exposure on TLC’s Cake Boss two days prior. Once again the promo positioning within the first pod proves to be advantageous.

    Glee

    Not surprisingly, the response rates to promotions directly leading in to the program on the same network are the highest. However, this might be in equal measure attributed to the recency effect of promotions and to the fact that the viewers are available on the network at the right time and would tune in to the program anyway.

    Supernatural

    The data reported here is based on a nationally projectable dataset of DirecTV subscribers from TNS Infosys.

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  • Football Fans: A Large, Untapped, Receptive Audience for Promoting New Programs

    Blog

    Posted on October 27th, 2009 by Stewart Hauser

    CBS, FOX, NBC, and ESPN spend billions of dollars for the rights to broadcast National Football League games.  These games attract huge numbers of viewers while also providing an ideal forum for networks to promote upcoming shows.  A look at viewing habits on CBS and FOX during September 2009 demonstrates that promotions for new programs during NFL games reach a huge audience that furthermore is unique and receptive.  The multi-billion dollar contracts clearly provide a valuable return.

    This September, CBS and FOX each used early-season NFL games to promote various new programs, including the following:

    Blog102709table1

    For each promotional campaign, networks placed a small number of promos during NFL games, and the reach of these spots was very large:

    Blog102709table2

    NFL games draw huge numbers of viewers, so a tiny number of promos wound up reaching a significant portion of the total audience reached by the entire campaigns.  Moreover, a large number of these NFL viewers—over 700,000 STBs in each case—was unique, and did not see the promotion at any other time during the campaign.

    It is clear that NFL games allow program marketers to efficiently reach a huge number of viewers.  Better yet, these viewers often have not otherwise seen the promotion, so new people are exposed rather than simply hitting the same viewers over and over again.  The final question deals with response rates.  Do football fans exposed to promotion respond positively, or are they poor targets of promotion who watch lots of football but nothing else?

    The answer appears to be the former: NFL fans respond positively to promotions for new shows.  Series premiere response rates for promos during NFL games are nearly as high as response rates for all promos.  If we exclude same-day promos, NFL viewers actually had higher response rates than average among all exposed viewers (in three of the four examples):

    Blog102709graph

    As we see, NFL games are a great opportunity to reach large numbers of new viewers who will respond positively to promotion.  Networks value these viewers so much that they pay the NFL billions of dollars for game rights.

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